giovanna randall

fashion week

Honor Spring 2013

With a front row that included the likes of Tennessee Thomas, Sarah Sophie Flicker, and Michelle Harper, one might have worried that Giovanna Randall's Honor label had suddenly switched horses and become very, very downtown.
Honor Spring 2013 | Runway

With a front row that included the likes of Tennessee Thomas, Sarah Sophie Flicker, and Michelle Harper, one might have worried that Giovanna Randall's Honor label had suddenly switched horses and become very, very downtown. However, as the first looks — frothy, uber-full skirts in georgette, lace, and lace-like prints — came floating down the runway, it became very apparent that there was no chance of that. And thank goodness. The world needs more pretty for pretty's sake, and that was precisely what Randall delivered.

Dresses and skirts were the mainstay here, and most came in the label's signature girlie silhouette: high necklines and skirts that flared from the waist in a cupcake cloud of organza and pouf. Ruff collars, flutter sleeves, and oversize chiffon bows also made appearances, as did neon jacquard and intricate lattice-work, the latter of which was draped web-like over open backs and on the hems of belled sleeves. And for those downtown girls in the front row? High-waisted shorts and wide-legged, V-neck jumpsuits trimmed in high-tech glitter vinyl.

fashion week

Honor Spring 2013

An ethereal girliness prevailed for Honor Spring 2013, with a collection full of organza and soft botanical prints, and plenty of ruffles that felt a bit more cool than frilly.

An ethereal girliness prevailed for Honor Spring 2013, with a collection full of organza and soft botanical prints, and plenty of ruffles that felt a bit more cool than frilly. Neon green and pink were the color choices for pigment-print (it looked like a trippy floral) jackets and dresses. They were ladylike silhouettes, but featured cocoon sleeves, and many of the dresses had cutout backs and "microsparkle" trim that looked a little futuristic. Blouses featured Edwardian ruffles, which would have felt a bit costumey if not for the models sporting cool sunglasses and little crystals in their hair — it was like the cool girl meshed into a dreamy princess. If there's one must have from the very pretty collection, it's anything organza. The floaty, delicate fabric looked so fresh and wearable when made into a pair of high-waisted shorts.

  • Trends: organza, cocoon sleeves, botanical prints, neon.
  • Colors: Neon green and pink, white.
  • Key Piece: Organza high-waisted shorts and pants, a foliage-print jumpsuit.
  • Accessories: Jewels in hair! Tabitha Simmons for Honor sandals were really pretty.
  • Who Should Wear It: Taylor Swift has worn the line and this is perfectly suited to her girlie style; Keira Knightley should try out one of the pretty gowns for a red carpet event.
New York Fashion Week

Honor Fall 2012

>> It's fitting that David Bowie's "Oh!
Honor Runway Fall 2012

>> It's fitting that David Bowie's "Oh! You Pretty Things" would be playing during Giovanna Randall's Fall 2012 Honor runway show. Not only were Alexa Chung and Shailene Woodley sitting front row, but the clothing coming down the catwalk was nothing short of lovely. Silhouettes were streamlined, femme, and totally unfussy in a lush palette of printed silks, patterned sheers, blanket-striped wools, and laser-cut organza. "It's a love story between a preppy boy and exotic Argentinean girl," Giovanna Randall explained of the mix. "The merging of two worlds — very refined and earthy with tapestry prints, and a modern take on art deco."

Nars

Honor Debuts A Cool-Girl Look, Literally

Honor, the debut collection by Giovanna Randall, was inspired by Grace Kelly and Catherine Deneuve — along with a hint of Cyndi Lauper.

Honor, the debut collection by Giovanna Randall, was inspired by Grace Kelly and Catherine Deneuve — along with a hint of Cyndi Lauper. No wonder, then, that NARS makeup artist James Boehmer went for the ultimate icy-girl look. "Giovanna wanted the girls to feel individual," Boehmer said of the concept. "We wanted the makeup not to look sunny and healthy, but a little cold."

To create this look, Boehmer kept models' faces nearly nude. No mascara or eyeliner was used; instead, he applied NARS eye shadow in Ashes to Ashes for a soft but stormy gray-violet eye. ("It's my hands-down favorite eye shadow," he said. "It's between a dark and a light, and it looks good on everyone." Cheeks were softly contoured with powder blush in Zen, with a little bit of Bombshell eye shadow applied with a blush brush to brighten the cheeks without adding color. To finish the look, Boehmer applied Pure Matte lip color in a new-for-spring chalky pink shade, Madere. The end result, according to him: "The models look polished, but they're not taking away from the clothes."